{"id":997,"date":"2023-06-02T15:59:38","date_gmt":"2023-06-02T15:59:38","guid":{"rendered":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/?post_type=back-matter&p=997"},"modified":"2024-03-28T00:08:54","modified_gmt":"2024-03-28T00:08:54","slug":"index-of-external-drills","status":"publish","type":"back-matter","link":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/back-matter\/index-of-external-drills\/","title":{"raw":"Index of external drills","rendered":"Index of external drills"},"content":{"raw":"<\/colgroup>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Chapter<\/td>\r\nTitle<\/td>\r\nURL<\/td>\r\n<\/tr>\r\n
1<\/td>\r\nPractice identifying note names on Grand Staff (tonesavvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying note names on Grand Staff (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying note names in alto clef (tonesavvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice note construction (musictheory.net)<\/td>\r\n\r\n
\r\n
2<\/td>\r\nPractice rhythmic dictation (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nBarbara Murphy\u2019s rhythm patterns practice<\/td>\r\n\r\n
\r\n
3<\/td>\r\nPractice spelling major scales (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice spelling major scales (musictheory.net)<\/td>\r\n\r\n
\r\n
4<\/td>\r\nPractice identifying major key signatures (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying major key signatures (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing major key signatures (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing major key signatures (teoria)<\/td>\r\n\r\n
\r\n
5<\/td>\r\nPractice constructing major and minor intervals (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying major and minor intervals (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying major and minor intervals (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying major and minor intervals and their inversions (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying all intervals in various clefs (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying all intervals in various clefs (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nInterval ear trainer (tone savvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nInterval ear trainer (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nInterval ear trainer (musictheory.net)<\/td>\r\n\r\n
\r\n
6<\/td>\r\nPractice constructing minor scales (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing minor scales (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nExercise for scale identification (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nQuiz on relative keys (studybass.com)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying all major and minor key signatures (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing major and minor key signatures (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nScale ID ear trainer (tone savvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nScale ID ear trainer (musictheory.net)<\/td>\r\n\r\n
\r\n
7<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nScale ID ear trainer (tone savvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nScale ID ear trainer (musictheory.net)<\/td>\r\n\r\n
\r\n
9<\/td>\r\nConstruct major and minor thirds (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing triads (tonesavvy)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing triads (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying triads (teoria)<\/td>\r\n\r\n
\r\n
10<\/td>\r\nTriads and seventh chords ear trainer (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nTriads and seventh chords ear trainer (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing seventh chords (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing seventh chords (musictheory.net)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying seventh chords (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice identifying seventh chords (musictheory.net)<\/td>\r\n\r\n
\r\n
11<\/td>\r\nPractice constructing triads from lead-sheet symbols (teoria)<\/td>\r\n\r\n
\r\n
<\/td>\r\nPractice constructing seventh chords from lead-sheet symbols (teoria)<\/td>\r\n\r\n
\r\n
12<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
13<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
14<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
15<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
16<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
17<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
18<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
19<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
20<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
21<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
22<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
23<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
24<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
25<\/td>\r\nPractice exercises with part writing (Hutchinson)<\/td>\r\n\r\n
\r\n
26<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
27<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
28<\/td>\r\nPractice reading and writing for transposing instruments (teoria)<\/td>\r\n\r\n
\r\n
29<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
30<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
31<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
32<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
33<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
34<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
35<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
36<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
37<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
38<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
39<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
40<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
41<\/td>\r\nNeapolitan sixth chords construction (teoria)<\/td>\r\n\r\n
\r\n
42<\/td>\r\nAugmented sixth chords construction (teoria)<\/td>\r\n\r\n
\r\n
43<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
44<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
45<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
46<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
47<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
48<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n
49<\/td>\r\nn\/a<\/td>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>","rendered":"\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Chapter<\/td>\nTitle<\/td>\nURL<\/td>\n<\/tr>\n
1<\/td>\nPractice identifying note names on Grand Staff (tonesavvy)<\/td>\n\n
<\/td>\nPractice identifying note names on Grand Staff (musictheory.net)<\/td>\n\n
<\/td>\nPractice identifying note names in alto clef (tonesavvy)<\/td>\n\n
<\/td>\nPractice note construction (musictheory.net)<\/td>\n\n
2<\/td>\nPractice rhythmic dictation (teoria)<\/td>\n\n
<\/td>\nBarbara Murphy\u2019s rhythm patterns practice<\/td>\n\n
3<\/td>\nPractice spelling major scales (teoria)<\/td>\n\n
<\/td>\nPractice spelling major scales (musictheory.net)<\/td>\n\n
4<\/td>\nPractice identifying major key signatures (teoria)<\/td>\n\n
<\/td>\nPractice identifying major key signatures (musictheory.net)<\/td>\n\n
<\/td>\nPractice constructing major key signatures (musictheory.net)<\/td>\n\n
<\/td>\nPractice constructing major key signatures (teoria)<\/td>\n\n
5<\/td>\nPractice constructing major and minor intervals (teoria)<\/td>\n\n
<\/td>\nPractice identifying major and minor intervals (teoria)<\/td>\n\n
<\/td>\nPractice identifying major and minor intervals (teoria)<\/td>\n\n
<\/td>\nPractice identifying major and minor intervals and their inversions (teoria)<\/td>\n\n
<\/td>\nPractice identifying all intervals in various clefs (teoria)<\/td>\n\n
<\/td>\nPractice identifying all intervals in various clefs (musictheory.net)<\/td>\n\n
<\/td>\nInterval ear trainer (tone savvy)<\/td>\n\n
<\/td>\nInterval ear trainer (teoria)<\/td>\n\n
<\/td>\nInterval ear trainer (musictheory.net)<\/td>\n\n
6<\/td>\nPractice constructing minor scales (teoria)<\/td>\n\n
<\/td>\nPractice constructing minor scales (musictheory.net)<\/td>\n\n
<\/td>\nExercise for scale identification (musictheory.net)<\/td>\n\n
<\/td>\nQuiz on relative keys (studybass.com)<\/td>\n\n
<\/td>\nPractice identifying all major and minor key signatures (teoria)<\/td>\n\n
<\/td>\nPractice constructing major and minor key signatures (teoria)<\/td>\n\n
<\/td>\nScale ID ear trainer (tone savvy)<\/td>\n\n
<\/td>\nScale ID ear trainer (musictheory.net)<\/td>\n\n
7<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nScale ID ear trainer (tone savvy)<\/td>\n\n
<\/td>\nScale ID ear trainer (musictheory.net)<\/td>\n\n
9<\/td>\nConstruct major and minor thirds (teoria)<\/td>\n\n
<\/td>\nPractice constructing triads (tonesavvy)<\/td>\n\n
<\/td>\nPractice constructing triads (teoria)<\/td>\n\n
<\/td>\nPractice identifying triads (teoria)<\/td>\n\n
10<\/td>\nTriads and seventh chords ear trainer (teoria)<\/td>\n\n
<\/td>\nTriads and seventh chords ear trainer (musictheory.net)<\/td>\n\n
<\/td>\nPractice constructing seventh chords (teoria)<\/td>\n\n
<\/td>\nPractice constructing seventh chords (musictheory.net)<\/td>\n\n
<\/td>\nPractice identifying seventh chords (teoria)<\/td>\n\n
<\/td>\nPractice identifying seventh chords (musictheory.net)<\/td>\n\n
11<\/td>\nPractice constructing triads from lead-sheet symbols (teoria)<\/td>\n\n
<\/td>\nPractice constructing seventh chords from lead-sheet symbols (teoria)<\/td>\n\n
12<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nPractice exercises with part writing (Hutchinson)<\/td>\n\n
26<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nPractice reading and writing for transposing instruments (teoria)<\/td>\n\n
29<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
31<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
32<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
33<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
34<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
35<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
36<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
37<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
38<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
39<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
40<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
41<\/td>\nNeapolitan sixth chords construction (teoria)<\/td>\n\n
42<\/td>\nAugmented sixth chords construction (teoria)<\/td>\n\n
43<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
44<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
45<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
46<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
47<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
48<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n
49<\/td>\nn\/a<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"author":3,"menu_order":10,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"back-matter-type":[39],"contributor":[],"license":[],"class_list":["post-997","back-matter","type-back-matter","status-publish","hentry","back-matter-type-index"],"_links":{"self":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter"}],"about":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/types\/back-matter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":3,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter\/997\/revisions"}],"predecessor-version":[{"id":6351,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter\/997\/revisions\/6351"}],"metadata":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter\/997\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/media?parent=997"}],"wp:term":[{"taxonomy":"back-matter-type","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/back-matter-type?post=997"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/contributor?post=997"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/license?post=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}