{"id":5202,"date":"2023-12-10T21:26:48","date_gmt":"2023-12-10T21:26:48","guid":{"rendered":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/?post_type=front-matter&p=5202"},"modified":"2026-02-23T01:09:26","modified_gmt":"2026-02-23T01:09:26","slug":"changelog","status":"publish","type":"front-matter","link":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/front-matter\/changelog\/","title":{"raw":"Changelog","rendered":"Changelog"},"content":{"raw":"Like any online resource, we have the ability to adjust and correct errors more easily than print resources. Minor typos, broken links, and the like will be fixed on an ongoing basis. Any major alterations to or improvements of the text will be recorded here in reverse chronological order.\r\n\r\nPlease report any issues you encounter by completing this online form: Multimodal musicianship feedback form<\/a>.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Date<\/span><\/td>\r\nChange<\/span><\/td>\r\n<\/tr>\r\n
2026.02.22<\/span><\/td>\r\nRevised H5P content answer to Worksheet Example 13-1\u00a0<\/span><\/td>\r\n<\/tr>\r\n
2025.10.07<\/span><\/td>\r\nFixed error in Answers to EXERCISE 10.3 Drills with triads and sevenths<\/span><\/td>\r\n<\/tr>\r\n
2025.10.02<\/span><\/td>\r\nFixed error in\u00a0Answers to EXERCISE 12.1 Figured bass identification<\/span><\/td>\r\n<\/tr>\r\n
2025.08.21<\/span><\/td>\r\nFixed error in title for Figure 29-1<\/a><\/span><\/td>\r\n<\/tr>\r\n
2025.08.20<\/span><\/td>\r\nCreated additional section headings in chapters 45\u201349 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.08.19<\/span><\/td>\r\nCreated additional section headings in chapters 41\u201344 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.08.18<\/span><\/td>\r\nCreated additional section headings in chapters 31\u201340 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.08.14<\/span><\/td>\r\nCreated additional section headings in chapters 21\u201330 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.08.13<\/span><\/td>\r\nCreated additional section headings in chapters 11\u201320 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.08.12<\/span><\/td>\r\nCreated additional section headings in chapters 1\u201310 for easier navigation<\/span><\/td>\r\n<\/tr>\r\n
2025.07.03<\/span><\/td>\r\nAdded Worksheet example 3-7. Joanna Wang (\u738b\u82e5\u7433), \u201cFlies! (\u84bc\u8805!),\u201d 0:17\u20130:28 to EXERCISE 3-1 Major scales in context<\/a>\u00a0(chapter 3<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2025.06.26<\/span><\/td>\r\nFixed inconsistencies with measure numbers in EXERCISE 35-1 Form analysis Haydn Minuet and Trio<\/a> (chapter 35<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2025.06.25<\/span><\/td>\r\nEXERCISE 9-1 Analysis with triads<\/a> revised to fix problem with number of blanks in third system (chapter 9<\/a>)<\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.25<\/span><\/td>\r\nAdded example of terminally climactic form: Example 37-6. Phoebe Bridgers, \u201cI Know the End\u201d and Figure 37\u20113. Form design for Example 37\u20116 (chapter 37<\/a>)<\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.24<\/span><\/td>\r\nAdded Sample answers to EXERCISE 18-2 Creating melodic sequences to answer keys for Chapter 18<\/a>\u00a0(password protected).<\/span><\/td>\r\n<\/tr>\r\n
2025.06.24<\/span><\/td>\r\nAdded two new examples to chapter 1<\/a>: Example 1-10. Octave designations in alto clef<\/a> and Example 1-11 Octave designations in tenor clef<\/a>. Renumbered remaining examples: Former Example 1-10 is Example 1-12. Octave designations on keyboard layout<\/a>, former Example 1-11 is Example 1\u201113. Modified notes on the keyboard<\/a>, and former Example 1-12 is Example 1\u201114. Enharmonically equivalent notes in pitch notation<\/a>.<\/span><\/td>\r\n<\/tr>\r\n
2025.06.20<\/span><\/td>\r\nAdded H5P content: Self-check quiz on relative keys to chapter 6<\/a><\/span><\/td>\r\n<\/tr>\r\n
2025.06.20<\/span><\/td>\r\nVideo: H01 How to do a harmonic dictation<\/a> added to chapter 16<\/a><\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.20<\/span><\/td>\r\nEXERCISE 18-2<\/a> updated with better instructions (chapter 18<\/a>)<\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.20<\/span><\/td>\r\nProse in chapter 34<\/a> edited for accuracy and clarity<\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nFive things the o7 can do for you slides<\/a> added to chapter 48<\/a><\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nNashville numbers slides<\/a> added to chapter 15<\/a><\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nSequence and uses of the mediant slides<\/a> added to chapter 18<\/a><\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nIntro to SATB part writing slides<\/a> added to chapter 25<\/a><\/span><\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nAdded embedded audio examples to N6 slides<\/a> (chapter 41<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nAdded content to Form in pop and rock slides<\/a> (chapter 37<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2025.06.18<\/span><\/td>\r\nAdded and re-formatted content in Modulation to closely related keys slides<\/a> (chapter 33<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2025.05.07<\/span><\/td>\r\nReplaced examples 44-1 and 44-2 with re-formatted images<\/span><\/td>\r\n<\/tr>\r\n
2024.09.17<\/span><\/td>\r\nUploaded answer keys for chapter 10<\/a><\/span><\/td>\r\n<\/tr>\r\n
2024.09.17<\/span><\/td>\r\nReplaced video T26 link from YouTube to Vimeo platform to fix missing audio (chapter 10<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.09.10<\/span><\/td>\r\nReplaced video T34 link from YouTube to Vimeo platform to fix missing audio (chapter 16<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.09.10<\/span><\/td>\r\nReplaced video T15 link from YouTube to Vimeo platform to fix missing audio (chapter 6<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.09.09<\/span><\/td>\r\nAdded single downloadable .pdf of all exercises (index of exercises<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.13<\/span><\/td>\r\nUpdated Example 22.12 to fix error in transcription (chapter 22<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.13<\/span><\/td>\r\nReplaced video T49 link from YouTube to Vimeo platform to fix missing audio (chapter 22<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.13<\/span><\/td>\r\nReplaced video R01 link from YouTube to Vimeo platform to fix missing audio (chapter 2<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.13<\/span><\/td>\r\nReplaced video R02 link with new Vimeo link to fix issues with closed captioning (chapter 2<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.12<\/span><\/td>\r\nReplaced video T41 link with new Vimeo link to fix issues with closed captioning (chapter 18<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.12<\/span><\/td>\r\nReplaced video T42 link with new Vimeo link to fix issues with closed captioning (chapter 18<\/a>)<\/span><\/td>\r\n<\/tr>\r\n
2024.08.12<\/span><\/td>\r\nReplaced video T48 link from YouTube to Vimeo platform to fix missing audio (chapter 22<\/a>)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>","rendered":"

Like any online resource, we have the ability to adjust and correct errors more easily than print resources. Minor typos, broken links, and the like will be fixed on an ongoing basis. Any major alterations to or improvements of the text will be recorded here in reverse chronological order.<\/p>\n

Please report any issues you encounter by completing this online form: Multimodal musicianship feedback form<\/a>.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Date<\/span><\/td>\nChange<\/span><\/td>\n<\/tr>\n
2026.02.22<\/span><\/td>\nRevised H5P content answer to Worksheet Example 13-1\u00a0<\/span><\/td>\n<\/tr>\n
2025.10.07<\/span><\/td>\nFixed error in Answers to EXERCISE 10.3 Drills with triads and sevenths<\/span><\/td>\n<\/tr>\n
2025.10.02<\/span><\/td>\nFixed error in\u00a0Answers to EXERCISE 12.1 Figured bass identification<\/span><\/td>\n<\/tr>\n
2025.08.21<\/span><\/td>\nFixed error in title for Figure 29-1<\/a><\/span><\/td>\n<\/tr>\n
2025.08.20<\/span><\/td>\nCreated additional section headings in chapters 45\u201349 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.08.19<\/span><\/td>\nCreated additional section headings in chapters 41\u201344 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.08.18<\/span><\/td>\nCreated additional section headings in chapters 31\u201340 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.08.14<\/span><\/td>\nCreated additional section headings in chapters 21\u201330 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.08.13<\/span><\/td>\nCreated additional section headings in chapters 11\u201320 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.08.12<\/span><\/td>\nCreated additional section headings in chapters 1\u201310 for easier navigation<\/span><\/td>\n<\/tr>\n
2025.07.03<\/span><\/td>\nAdded Worksheet example 3-7. Joanna Wang (\u738b\u82e5\u7433), \u201cFlies! (\u84bc\u8805!),\u201d 0:17\u20130:28 to EXERCISE 3-1 Major scales in context<\/a>\u00a0(chapter 3<\/a>)<\/span><\/td>\n<\/tr>\n
2025.06.26<\/span><\/td>\nFixed inconsistencies with measure numbers in EXERCISE 35-1 Form analysis Haydn Minuet and Trio<\/a> (chapter 35<\/a>)<\/span><\/td>\n<\/tr>\n
2025.06.25<\/span><\/td>\nEXERCISE 9-1 Analysis with triads<\/a> revised to fix problem with number of blanks in third system (chapter 9<\/a>)<\/span><\/span><\/td>\n<\/tr>\n
2025.06.25<\/span><\/td>\nAdded example of terminally climactic form: Example 37-6. Phoebe Bridgers, \u201cI Know the End\u201d and Figure 37\u20113. Form design for Example 37\u20116 (chapter 37<\/a>)<\/span><\/span><\/td>\n<\/tr>\n
2025.06.24<\/span><\/td>\nAdded Sample answers to EXERCISE 18-2 Creating melodic sequences to answer keys for Chapter 18<\/a>\u00a0(password protected).<\/span><\/td>\n<\/tr>\n
2025.06.24<\/span><\/td>\nAdded two new examples to chapter 1<\/a>: Example 1-10. Octave designations in alto clef<\/a> and Example 1-11 Octave designations in tenor clef<\/a>. Renumbered remaining examples: Former Example 1-10 is Example 1-12. Octave designations on keyboard layout<\/a>, former Example 1-11 is Example 1\u201113. Modified notes on the keyboard<\/a>, and former Example 1-12 is Example 1\u201114. Enharmonically equivalent notes in pitch notation<\/a>.<\/span><\/td>\n<\/tr>\n
2025.06.20<\/span><\/td>\nAdded H5P content: Self-check quiz on relative keys to chapter 6<\/a><\/span><\/td>\n<\/tr>\n
2025.06.20<\/span><\/td>\nVideo: H01 How to do a harmonic dictation<\/a> added to chapter 16<\/a><\/span><\/span><\/td>\n<\/tr>\n
2025.06.20<\/span><\/td>\nEXERCISE 18-2<\/a> updated with better instructions (chapter 18<\/a>)<\/span><\/span><\/td>\n<\/tr>\n
2025.06.20<\/span><\/td>\nProse in chapter 34<\/a> edited for accuracy and clarity<\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nFive things the o7 can do for you slides<\/a> added to chapter 48<\/a><\/span><\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nNashville numbers slides<\/a> added to chapter 15<\/a><\/span><\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nSequence and uses of the mediant slides<\/a> added to chapter 18<\/a><\/span><\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nIntro to SATB part writing slides<\/a> added to chapter 25<\/a><\/span><\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nAdded embedded audio examples to N6 slides<\/a> (chapter 41<\/a>)<\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nAdded content to Form in pop and rock slides<\/a> (chapter 37<\/a>)<\/span><\/td>\n<\/tr>\n
2025.06.18<\/span><\/td>\nAdded and re-formatted content in Modulation to closely related keys slides<\/a> (chapter 33<\/a>)<\/span><\/td>\n<\/tr>\n
2025.05.07<\/span><\/td>\nReplaced examples 44-1 and 44-2 with re-formatted images<\/span><\/td>\n<\/tr>\n
2024.09.17<\/span><\/td>\nUploaded answer keys for chapter 10<\/a><\/span><\/td>\n<\/tr>\n
2024.09.17<\/span><\/td>\nReplaced video T26 link from YouTube to Vimeo platform to fix missing audio (chapter 10<\/a>)<\/span><\/td>\n<\/tr>\n
2024.09.10<\/span><\/td>\nReplaced video T34 link from YouTube to Vimeo platform to fix missing audio (chapter 16<\/a>)<\/span><\/td>\n<\/tr>\n
2024.09.10<\/span><\/td>\nReplaced video T15 link from YouTube to Vimeo platform to fix missing audio (chapter 6<\/a>)<\/span><\/td>\n<\/tr>\n
2024.09.09<\/span><\/td>\nAdded single downloadable .pdf of all exercises (index of exercises<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.13<\/span><\/td>\nUpdated Example 22.12 to fix error in transcription (chapter 22<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.13<\/span><\/td>\nReplaced video T49 link from YouTube to Vimeo platform to fix missing audio (chapter 22<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.13<\/span><\/td>\nReplaced video R01 link from YouTube to Vimeo platform to fix missing audio (chapter 2<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.13<\/span><\/td>\nReplaced video R02 link with new Vimeo link to fix issues with closed captioning (chapter 2<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.12<\/span><\/td>\nReplaced video T41 link with new Vimeo link to fix issues with closed captioning (chapter 18<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.12<\/span><\/td>\nReplaced video T42 link with new Vimeo link to fix issues with closed captioning (chapter 18<\/a>)<\/span><\/td>\n<\/tr>\n
2024.08.12<\/span><\/td>\nReplaced video T48 link from YouTube to Vimeo platform to fix missing audio (chapter 22<\/a>)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"author":3,"menu_order":4,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"front-matter-type":[],"contributor":[],"license":[],"class_list":["post-5202","front-matter","type-front-matter","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter\/5202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter"}],"about":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/types\/front-matter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":60,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter\/5202\/revisions"}],"predecessor-version":[{"id":7204,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter\/5202\/revisions\/7204"}],"metadata":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter\/5202\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/media?parent=5202"}],"wp:term":[{"taxonomy":"front-matter-type","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/pressbooks\/v2\/front-matter-type?post=5202"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/contributor?post=5202"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.macalester.digital\/multimodalmusicianship\/wp-json\/wp\/v2\/license?post=5202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}