Index of playlists
| Chapter | Playlist name | URL |
| 1 | Stravinsky’s Rite of Spring | |
| 2 | Aural meter ID (simple meters only) | |
| Simple meters | ||
| 3 | Major scales in context | |
| 4 | Why key signatures? | |
| 5 | Interval ID (aural) |
https://open.spotify.com/playlist/4dh9lfbYujBykrZqnCbd3S?si=8b38077ed13042b2
|
| 6 | Minor scales in context | |
| 7 | Compound meter | |
| Aural meter ID | ||
| 8 | Modes & other scales | |
| 9 | Triads in context | |
| 10 | Seventh chords in context | |
| 11 | Lead sheet realization | |
| Transcription with triads in pop music | ||
| 12 | Figured bass | |
| 13 | Figured bass analysis | |
| Chords in various textures | ||
| 14 | n/a | |
| 15 | Nashville numbers | |
| 16 | Harmonic function examples | |
| Cadences in context | ||
| Analysis with I, IV, and V(7) | ||
| 17 | Melody | |
| 18 | Sequence | |
| Uses of the mediant | ||
| 19 | Phrases and periods | |
| 20 | Melody harmonization | |
| 21 | Two-part counterpoint | |
| 22 | Harmony in pop and rock | |
| 23 | Text setting | |
| 24 | Chord motion and voicing | |
| 25 | n/a | |
| 26 | Second inversion chords | |
| 27 | n/a | |
| 28 | Instrument transpositions and ranges | |
| 29 | Non-chord tones | |
| 30 | Composite meters | |
| 31 | Secondary dominants | |
| 32 | Secondary diminished chords | |
| 33 | Modulation to closely related keys | |
| 34 | Binary form | |
| 35 | Ternary form | |
| 36 | Strophic form | |
| 37 | Form in pop and rock | |
| Aural analysis (form in pop) | ||
| 38 | Chromatic mediants | |
| 39 | Modulation by common tone | |
| 40 | Mode mixture | |
| 41 | Neapolitan sixth | |
| 42 | Augmented sixth chords | |
| 43 | Descending tetrachord | |
| 44 | Enharmonic reinterpretation with Ger.+6 and V7 | |
| 45 | Enharmonic reinterpretation with viio7 | https://open.spotify.com/playlist/4hpnDpouWc1ChGFApn9Bhg?si=630a0675e76d4849 |
| 46 | The “flatting process” | https://open.spotify.com/playlist/4EXsRyUWPD6AnIUlvGVFdm?si=c62b3c1c2f654631 |
| 47 | Extended tertian chords and altered dominants | |
| 48 | n/a | |
| 49 | Sonata form |
