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How to use this book
Preface
Acknowledgements
Changelog
1. Pitch notation
2. Simple meters
3. Major scales
4. Major key signatures
5. Intervals
6. Minor scales and key signatures
7. Compound meters
8. Modes and other scales
9. Triads
10. Seventh chords
11. Lead sheet symbols
12. Figured bass
13. Texture
14. Roman numerals
15. Nashville numbers
16. Harmonic function and cadences
17. Melody
18. Sequence and uses of the mediant
19. Phrases and periods
20. Melody harmonization
21. Two-part counterpoint
22. Harmony in pop and rock
23. Text setting
24. Chord motion and voicing
25. SATB part writing
26. Chords in second inversion
27. Composing out progressions
28. Instrument transpositions and ranges
29. Non-chord tones
30. Composite meters
31. Secondary dominants
32. Secondary diminished chords
33. Modulation to closely related keys
34. Binary form
35. Ternary form
36. Strophic form
37. Form designs in pop and rock
38. Chromatic mediants
39. Modulation by common tone
40. Mode mixture
41. Neapolitan sixth
42. Augmented sixth chords
43. Descending tetrachord bass line
44. Enharmonic reinterpretation of V7 and Ger.+6
45. Enharmonic reinterpretation of viio7
46. The "flatting" process
47. Extended tertian chords and altered dominants
48. Common-tone diminished seventh (CTo7)
49. Sonata form
Note to instructors
Chapter 1 Pitch notation
Chapter 2 Simple meters
Chapter 3 Major scales
Chapter 4 Major key signatures
Chapter 5 Intervals
Chapter 6 Minor scales and key signatures
Chapter 7 Compound meters
Chapter 8 Modes and other scales
Chapter 9 Triads
Chapter 10 Seventh chords
Chapter 11 Lead sheet symbols
Chapter 12 Figured bass
Chapter 13 Texture
Chapter 14 Roman numerals
Chapter 15 Nashville numbers
Chapter 16 Harmonic function and cadences
Chapter 18 Sequence and uses of the mediant
Chapter 19 Phrases and periods
Chapter 20 Melody harmonization
Chapter 22 Harmony in pop and rock
Chapter 24 Chord motion and voicing
Chapter 25 SATB part writing
Chapter 26 Chords in second inversion
Chapter 28 Instrument transpositions and ranges
Chapter 29 Non-chord tones
Chapter 30 Composite meters
Chapter 31 Secondary dominants
Chapter 32 Secondary diminished chords
Chapter 33 Modulation to closely related keys
Chapter 34 Binary form
Chapter 35 Ternary form
Chapter 36 Strophic form
Chapter 37 Form designs in pop and rock
Chapter 38 Chromatic mediants
Chapter 39 Modulation via common tone
Chapter 40 Mode mixture
Chapter 41 Neapolitan sixth
Chapter 42 Augmented sixth chords
Chapter 43 Descending tetrachord bass line
Chapter 44 Enharmonic reinterpretation of V7 and Ger.+6
Chapter 45 Enharmonic reinterpretation of viio7
Chapter 46 The "flatting" process
Chapter 47 Extended tertian chords and altered dominants
Chapter 48 Common-tone diminished seventh (CTo7)
Chapter 49 Sonata form
Appendix A: Rhythm supplement
Appendix B: Melody supplement
Appendix C: Rhythmic dictations
Appendix D: Melodic dictations
Appendix E: Harmonic dictations
Index of exercises
Index of videos
Index of playlists
Index of slideshows
Index of external drills
Index of supplemental resources
Glossary
Answers to selected exercises
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Multimodal Musicianship Copyright © 2024 by Victoria Malawey is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.