Main Body

1 Pitch notation

Learning objectives for Chapter 1

In this chapter, we will learn:

  • How to read and notate pitches on the staff in Western music notation, using four different clefs: treble, bass, alto, and tenor
  • Some different symbols to modify notes on the staff, including 8va/8vb symbols and accidentals (flats, sharps, double flats, double sharps, and natural signs)
  • How the notes are arranged on the 88-note piano keyboard, as well as their octave designation numbers and their enharmonic equivalents in notation on the staff

Pitch notation and clefs

In classical Western music notation, notes are drawn on the lines and spaces of a five-line to indicate : how high or low a note sounds. Each note is given a letter name ranging from A to G. are symbols placed on the leftmost side of a staff to indicate which line or space corresponds to a given note. Various clefs accommodate different ranges and instruments by allowing higher or lower notes to be shown on the staff. Examples are given below.

Example 1‑1. Pitch notation with treble clef

image of notes on staff in treble clef

Example 1‑2. Pitch notation with bass clef

image of notes in bass clef on staff

Example 1‑3. Pitch notation with movable C clefs

image of notes in movable c clefs

Although tenor and alto clefs are less common than treble and bass, they are used for several important orchestral instruments. For example, viola uses alto clef. Tenor clef is used for extended passages in the higher ranges of instruments such as bassoon, violoncello, and trombone.

There are some common tricks and mnemonic devices for learning treble and bass clefs, as shown in the following examples.

Example 1‑4. Tricks for learning treble clef

image of space notes (spelling FACE) and line notes (“Every Good Boy Does Fine”) in treble clef

Example 1‑5. Tricks for learning bass clef

image of space notes (“All Cars Eat Gas”) and line notes (“Good Boys Do Fine Always”) in bass clef

Each note that appears on a staff has a specific placement in a particular octave. For example, the A that appears on the first space of the bass clef staff is one octave lower in pitch than the A that appears on the fifth line on the same staff. The , as shown in Example 1‑6, combines treble and bass clefs and is used commonly for piano music since it covers a wide pitch range. are used to extend the number of pitches that may be shown on a staff.

Example 1‑6. Pitch notation on the grand staff

image of notes on grand staff, including ledger lines

Video: T01 Pitch notation and clefs (11:02)

This video introduces Western staff notation to indicate pitch using treble, bass, and movable-C (alto and tenor) clefs. The video concludes with an excerpt from Igor Stravinsky’s The Rite of Spring, a ballet that features a compelling bassoon solo notated in tenor clef.

Access the slideshow here: Pitch notation and clefs slides
Learn more about Russian composer Igor Stravinsky (1882–1971) by reading this Oxford Music Online article, written by Stephen Walsh.

When ledger lines become too cumbersome to show pitches below or above the given range of a staff, there are additional symbols that may be used to indicate an octave below (8vb) or an octave above (8va) a written note or set of notes. Example 1‑7 shows how a very low passage is made easier to read through the use of the 8vb symbol. Similarly, Example 1‑8 shows two ways to notate a very high passage, one with the 8va symbol and the other with ledger lines.

Example 1‑7. Very low passage notated with and without 8vb symbol

Example 1‑8. Very high passage notated with and without 8va symbol

Keyboard, octave designation, and symbols for modifying notes

In order to distinguish different octave placements of the same pitch class, we use a system of , also referred to as “American Standard Pitch Notation” or “ASPN.” This system accommodates roughly the same span of ranges used on the 88-key piano. The octave designations on the grand staff are shown in Example 1‑9, and corresponding designations on the keyboard are shown in Example 1‑10. Following this system, middle C is referred to as C4. The octave below middle C is C3, two octaves below is C2, and three octaves below is C1. The octave above middle C is C5, two octaves above is C6, and three octaves above is C7. The highest note on the piano, which is four octaves above middle C, is C8.

Example 1‑9. Octave designations on the grand staff

image of notes on grand staff with octave designation numbers

Example 1‑10. Octave designations on keyboard layout

image of keyboard with octaves numbered

The pitch of a note may be modified by adding one of the symbols that appear in Figure 1‑1.

Figure 1‑1. Symbols for modifying notes

The flat symbol, which lowers a note by one half step. The sharp symbol, which raises a note by one half step. The natural symbol, which restores a note to its unmodified status. The double flat symbol, which lowers a note by two half steps. The double sharp symbol, which raises a note by two half steps.

Example 1‑11 shows the correlation between modified note names and their location on the keyboard. A is the interval between two immediately adjacent keys on the piano. For comparison, on a guitar, the distance between each adjacent fret on the same string is also a half step.

Example 1‑11. Modified notes on the keyboard

image of keyboard showing enharmonically equivalent note names

Two notes that are spelled differently but sound the same are said to be . For example, C\sharp and D\flat look different in pitch notation, but sound at the same frequency. Likewise, F\sharp, G\flat and E𝄪 are all valid ways of writing the same note. Each of these enharmonically equivalent notes is shown in pitch notation in Example 1‑12.

Example 1‑12. Enharmonically equivalent notes in pitch notation

image of notes on staff corresponding to note on keyboard

Video: T03 Keyboard layout, octave designations, and modifying notes (7:53)

This video explores how the keyboard is arranged, defines how we can refer to notes not only by letter name but also by octave designation, and introduces five basic symbols for modifying notes: sharp, flat, natural, double sharp, and double flat.

EXERCISE 1-1 Pitch identification

PART A. For each of the notes written on the grand staff below, provide the letter name and octave designation. The first is done for you.

SET 1

unlabeled notes on grand staff

SET 2

unlabeled notes on grand staff

PART B. For each of the notes written on the movable C clefs below, provide the letter name and octave designation beneath the staff. Take care to distinguish between alto and tenor clef. The first is done for you.

SET 1

unlabeled notes on alto clef staff

SET 2

unlabeled notes on tenor clef staff staff

 

Access a printer-friendly .pdf of the exercise here: Ex1.1 Pitch identification

Want more practice identifying note names? Try these drills:

Practice identifying note names on grand staff (tonesavvy)

Practice identifying note names on grand staff (musictheory.net)

Practice identifying note names in alto clef (tonesavvy)

EXERCISE 1-2 Pitch notation

PART A. Given the letter name and octave designation, draw the following notes on the grand staff below in the most logical position. In some cases, it may make sense to notate the pitch in either treble or bass clef (either is fine). Be careful to notate the sharp or flat to the immediate left of the note that is modified, on the same line or space. The first is done for you.

SET 1

Blank Grand staff with symbols indicating notes beneath staff

SET 2

Blank Grand staff with symbols indicating notes beneath staff

PART B. Given the letter name and octave designation, draw the following notes on the movable C clefs below. The first is done for you. Take special care to distinguish between alto and tenor clef, to notate the sharp or flat directly to the left of the note that is modified, and to place the note in the correct octave.

SET 1

blank alto clef staff with symbols representing notes beneath staff

SET 2

blank tenor clef staff with symbols representing notes beneath staff

Access a printer-friendly .pdf of the exercise here: Ex1.2 Pitch notation
Want more practice constructing notes on the staff? Try this drill: Practice note construction (musictheory.net)

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